Learning about learning: developing conservatoire students’ pedagogical knowledge

Authors

DOI:

https://doi.org/10.47408/jldhe.vi36.1539

Keywords:

conservatoires, instrumental teacher education, pedagogical training, learning about learning, music education ecology

Abstract

Conservatoires are specialist and practical schools that provide immersive training for aspiring performing arts professionals. Historically, performance training in music has been valued over and above other aspects of the curriculum in conservatoires. For example, learning how to teach is rarely considered as important as learning how to perform. Yet pedagogical training in music has enormous potential to support students to learn about their own learning development and that of others, and as such can enhance students’ employability in or beyond music. Whilst this article focuses on the discipline of music, it poses important questions about the value for students of learning about learning via pedagogical training in many other creative subject areas, such as dance, drama, art, and languages, or even STEM subjects (sciences, technology, engineering, and mathematics). Developing students’ metacognitive awareness may benefit society, helping students to nurture the next generation of learners, whilst impacting positively on longer-term recruitment into conservatoires and other Higher Education Institutions.

Author Biography

Luan Shaw, Birmingham City University

Luan Shaw is Associate Professor (Music Education) and Director of Postgraduate Studies (Music) at Royal Birmingham Conservatoire (RBC). She is a Senior Fellow of the Higher Education Academy, and has been recognised for her commitment to championing instrumental music teacher training with a National Teaching Fellowship from Advance HE. Luan is a member of the Birmingham Music Education Research Group (BMERG). Her interrelated research interests include instrumental teacher education and employability, the role of alumni in Higher Music Education, transitions into, through and beyond Higher Music Education and reciprocal learning in musical Communities of Practice.

References

Association of European Conservatoires: Polifonia Working Group for Instrumental and Vocal Music Teacher Training (2010) Handbook – instrumental and vocal teacher education: European perspectives. Brussels: AEC Publications.

Bronfenbrenner, U. (1979) The ecology of human development: experiments by nature and design. Cambridge, USA: Harvard University Press.

Conservatoires UK (n.d.) Why we matter. Available at: https://conservatoiresuk.ac.uk/about-us/why-we-matter/ (Accessed: 12 February 2025).

Department for Education and Department for Digital Culture, Media and Sport (2022) The power of music to change lives: a national plan for music education. Available at: https://www.gov.uk/government/publications/the-power-of-music-to-change-lives-a-national-plan-for-music-education (Accessed: 12 February 2025).

Kingsbury, H. (1988) Music, talent and performance: a conservatory cultural system. Philadelphia: Temple University Press.

Kuhn, D. and Dean, Jr., D. (2004) ‘Metacognition: a bridge between cognitive psychology and educational practice’, Theory Into Practice, 43(4), pp.268-273. Available at: https://doi.org/10.1207/s15430421tip4304_4

Lawson, C. (2025) ‘Introduction: tracing conservatoire values past, present and Future’, in C. Lawson, D. Salazar and R. Perkins (eds) Inside the contemporary conservatoire: critical perspectives from the Royal College of Music, London. Abingdon: Routledge, pp.3-13.

Lave, J. and Wenger, E. (1991) Situated learning: legitimate peripheral participation. Cambridge: Cambridge University Press.

Shaw, L. (2023a) '”If you’re a teacher, you’re a failed musician”: exploring hegemony in a UK conservatoire’, Research in Teacher Education, 13(1), pp.21-27.

Shaw, L. (2023b) ‘Conservatoire students’ perspectives on instrumental music teacher education: “Developing Pedagogical Knowledge” (DPK) for the future music education workforce’, Journal of Education for Teaching, 50(1), pp.155-171. Available at: https://doi.org/10.1080/02607476.2023.2228233

Shaw, L. (2023c) ‘Preparing conservatoire students for the music education workforce: institutional and industrial perspectives on instrumental teacher education in England’, Music Education Research, 25(3), pp.280-293. Available at: https://doi.org/10.1080/14613808.2023.2222277

Shaw L. (2024) ‘Preparing conservatoire students for the music education workforce: conversations with alumni’, British Journal of Music Education. Published online, pp.1-13. Available at: https://doi.org/10.1017/S0265051724000111

Shaw, L. (2025) ‘Conservatoire staff perspectives on the role of alumni in higher music education: who benefits?’, Music Education Research, 27(2), pp.176-190. Available at: https://doi.org/10.1080/14613808.2025.2465235

Shulman, L. (1986) ‘Those who understand: knowledge growth in teaching’, Educational Researcher, 15(2), pp.4-14. Available at: https://www.jstor.org/stable/1175860 (Accessed: 7 May 2025).

Downloads

Published

15-06-2025

How to Cite

Shaw, L. (2025). Learning about learning: developing conservatoire students’ pedagogical knowledge . Journal of Learning Development in Higher Education, (36). https://doi.org/10.47408/jldhe.vi36.1539

Issue

Section

Opinion Pieces