The radical pedagogies project: creating inclusive learning development materials

Authors

DOI:

https://doi.org/10.47408/jldhe.vi37.1726

Keywords:

radical pedagogies, learning development, inclusive pedagogy, social justice, creativity, decolonisation, activism

Abstract

This presentation explored how learning development can be reimagined as a more inclusive and critically engaged practice through creative and activist pedagogies. It introduced Radical Pedagogies, an initiative created by Helena Walsh and Sarah Macdonald from the University of the Arts London, that explored student-centred models of participation by weaving social justice, creativity, and activism directly into teaching materials. The project drew from a diverse range of personal and political research interests, which included poetry, film, performance art, feminist and queer theory, anti-racism, decolonising the curriculum, and anti-capitalist critique, seeking to mobilise radical traditions within an increasingly capitalised educational sector.

The initial output of this long-term project was a tactile box set of 28 activity cards designed to foster creativity, curiosity, and risk taking (hooks, 2010). Organised under four distinct themes of ‘Avant-garde action’, ‘Critical thinking’, ‘Radical re-imaginings’, and ‘Thinking time’, the cards were designed for flexible, transdisciplinary application. Central to the project's ethos was a deep commitment to co-creation; students were not merely participants but were recruited as paid collaborators in the design and feedback process, an invaluable experience which the authors posit had transformative potential for both educators and learners. This presentation offered a valuable model for learning developers, academic support staff, and lecturers seeking to embed creative, participatory, and critically aware pedagogies into their own practice.

Author Biographies

Sarah Macdonald, University of the Arts London

Sarah Macdonald is a Scottish poet, writer, editor and activist. She is a Senior Lecturer in Academic Support at University of the Arts London. Since 2006, she has been publishing short stories, and her poems have appeared in various publications. Her writing is concerned with gender, the working-class experience and resisting oppression. From 2003 until 2010, she taught at universities and art colleges in Tokyo. Her pedagogic interests include the international student experience, creative anxiety and trauma-informed pedagogy.

Helena Walsh, University of the Arts London

Helena Walsh is an Irish live artist, activist and academic. She is a Senior Academic Support Lecturer at University of the Arts London. Helena has performed widely in galleries, museums, theatres, and non-traditional art spaces, including public sites. Helena's research interests include live art and performance art practices, alongside the use of such to explore gender and cultural histories. Her work also considers the intersection of performance and activism. Her pedagogic interests include the development of practice as research methodologies and advancing creative and experimental approaches to learning development. Helena regularly presents and writes on the intersections of activism and performance practice. 

References

Back to the Fields – Ruth Ewan (2015) [Exhibition] Camden Arts Centre, London. Available at: https://camdenartcentre.org/whats-on/back-to-the-fields (Accessed: 17 September 2025).

Bailey, K. (2020) ‘Reimagining Alice’ in K. Bailey and S. Sladen (eds) Alice: Curiouser and Curiouser. London: V&A Publishing, pp.156-197.

Lorde, A. (1973) ‘Who said it was simple’. Available at: https://www.poetryfoundation.org/poems/42587/who-said-it-was-simple (Accessed: 17 September 2025).

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Published

30-09-2025

How to Cite

Macdonald, S., & Walsh, H. (2025). The radical pedagogies project: creating inclusive learning development materials. Journal of Learning Development in Higher Education, (37). https://doi.org/10.47408/jldhe.vi37.1726